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Oil Paintings Come From United Kingdom
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WTEWAEL, Joachim
Dutch painter (b. 1566, Utrecht, d. 1638, Utrecht). Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest ('from the imagination') and naer 't leven ('after life'). Wtewael's activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate;

 

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WTEWAEL, Joachim The Battle Between the Gods and the Titans iyu oil painting

Painting ID::  9768

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WTEWAEL, Joachim
The Battle Between the Gods and the Titans iyu
1600 Oil on copper Art Institute of Chicago, Chicago
   
   
     

 

 

WTEWAEL, Joachim The Judgment of Paris jkgy oil painting

Painting ID::  9769

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WTEWAEL, Joachim
The Judgment of Paris jkgy
1615 Wood, 60 x 79 cm National Gallery, London
   
   
     

 

 

WTEWAEL, Joachim Kitchen Scene wer oil painting

Painting ID::  9770

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WTEWAEL, Joachim
Kitchen Scene wer
1605 Oil on canvas, 65 x 98 cm Staatliche Museen, Berlin
   
   
     

 

 

WTEWAEL, Joachim Mars and Venus Discovered by the Gods wer oil painting

Painting ID::  9771

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WTEWAEL, Joachim
Mars and Venus Discovered by the Gods wer
1603-04 Oil on copper, 20,2 x 15,5 cm Private collection
   
   
     

 

 

WTEWAEL, Joachim Perseus and Andromeda wet oil painting

Painting ID::  9772

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WTEWAEL, Joachim
Perseus and Andromeda wet
1611 Oil on canvas, 180 x 150 cm Mus??e du Louvre, Paris
   
   
     

 

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WTEWAEL, Joachim
Dutch painter (b. 1566, Utrecht, d. 1638, Utrecht). Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest ('from the imagination') and naer 't leven ('after life'). Wtewael's activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate;